It’s been quiet around here, but that’s because there’s been a flurry of activity. From a little family vacation to working as hard as I could to keep up with client work, and now to prepare for Bolivia!
I would not be able to go on this adventure – to do good while learning and expanding my photography skills – if it weren’t for my husband who first supported my crazy idea. And, the neighbor who volunteered to help me launch the Indiegogo campaign. Then came the flood of support from family and friends!
There have been two very good questions, though, from strong women I admire:
1. How will you?
When I first announced at a family gathering that I was going to do this, she asked how I would be able to – knowing that I didn’t have the funds to go right away. I said that I didn’t know exactly, but that with a vote of confidence and check from a cousin, I was sure I could ask for more help and earn the rest…the truth is that I’m almost there. I’ve put some of the trip on credit, which is a first for my business. This is a workshop/location/cause that fits into a place in my heart that I can’t quite explain. So, I’m taking a leap of faith and following.
And, I’m grateful for everyone who is helping to make this happen: from my Mother-In-Law who is going to fill my shoes for a week to the friend who referred a portrait client.
2. Why not teach the people photography instead?
This is an excellent question, and one that I think could be asked of any group or non-profit who needs to raise awareness. First, the non-profit is working on basic life needs like food and childhood nutrition education. While there may be one or two workers who know how to use a camera, photography is not just the process of pushing a button. The job of photography in this instance is to tell their story in a way that engages and encourages others to get involved. Second, there’s the technical issues with equipment in remote villages – if a camera breaks down it might not be cost effective to fix it or to buy another one. And, I could drone on about lack of Internet access and the other technical details.
There are some who are trying to help aid in educating and enabling those less fortunate to tell their story, but it’s not the most effective model yet*. That’s why non-profits need photographers and videographers. Think about it: You get a letter telling you about a situation so dire it sounds unbelievable, and it’s typed in size 10 font on a double-sided sheet – is that as effective as a short clip or few photos you see your friend share?
On a more personal note, I have had questions about inequality and lack of awareness since moving into the North Delridge neighborhood of West Seattle. The heritage of this part of West Seattle lies in depressing statistics and a bad reputation as a place where gentrification and inequality mix like a sick city experiment. Our neighborhood is home to the lowest life expectancy in the county. We have been labeled as a food desert for lack of a grocery story or farmer’s market.
Basically, I hope to bring back some understanding of how to better work in my own neighborhood to bring us together and work toward improving and changing the depressing statistics. For all the years of volunteering and photographing our happy community gatherings, I feel ineffective, like I’m not making a difference yet.
p.s. A short interview of Kevin Kubota, an instructor, explaining what Workshops With Purpose is all about.
* Brooke Shaden uses her photography skills to help survivors of human trafficking tell their story in India. Her Promoting Passion blog is what inspired me to apply for the Bolivia Workshop.
Indiegogo has hosted several campaigns aimed at teaching photography to youth in areas such as Africa to tell their story through photojournalism.